Tradition Innovation: American Masterpieces of Southern Craft and Traditional Art    
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Cultural Practice Gallery


Southern craftspeople draw from many resources: skill, imagination and traditions deeply tied to place, family, culture and community.

Traditional artists understand the power of the authentic. A Mardi Gras costume, a half-hull model, a handcrafted helmet — these works have deep cultural connections for those who make them and for those who use them. Filled with meanings and function unique to each group, they are not just well-crafted objects but symbols of family


Quotes

“My daddy would always say, no matter what was going on in life, Mardi Gras Day, you got to be in the feathers.”

- Darryl Montana


“My art has evolved directly from my own personal search for connection, for roots, for a sense of belonging…”

- Gwendolyn A. Magee

 

heritage, cultural identity and artistic inheritance. Their makers, in turn, take on the role of keeping this heritage alive. When this knowledge is threatened — by catastrophic events such as Hurricane Katrina, or by the constant whirl of modern life with its technological demands and distractions — it is the individual craftsperson who remains the anchor, the link and the keeper.

Contemporary craftspeople are intensely curious, hardworking and passionate. When asked what drew them to craft, their responses are simple—nothing could be more important. Their works speak about the external state of the world or the internal condition of the human being. They are inspired by sources as wide-ranging as the natural environment, race relations and popular culture. All are affected by life experiences, social history, travel, education, and have a deep familiarity with the history of art, architecture and craft. Their creative work is driven by a need for expression and a search for connectedness and meaning. They share a reverence for making a difference in the world. Some find a connection with farmers and people living close to the land, others with poets, performers, economists and scientists. In most cases these contemporary artists work in solitude. Although they may occasionally accept assistance or embark on a collaboration, the primary creative impulse—the development of ideas—is seen as the individual artist’s role.

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Artists
  Nick Toth
Diving helmet designer/builder
  Darryl Montana
Traditional folk artist
  Bill Holland
Boat builder
 

Gwendolyn A. Magee
Textile artist

  Mark Lindquist
Artist/Sculptor
  Fong Choo
Potter
  Jerry Brown
Potter
  Gary Noffke
Metal artist
  Richard Ritter
Glass artist
  Douglas Harling
Goldsmith
  Richard Jolley
Glass artist
  Ron Meyers
Potter
  Vernon Owens
Potter
     
Curators Jean McLaughlin, Contemporary Craft and Kathleen Mundell, Traditional Arts, selected the artists and provided conceptual direction and text for each gallery.
 
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©2008 Southern Arts Federation